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Austen-lezing en cursus bij Volksuniversiteit Utrecht
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At Home and Behind Closed Doors in Georgian England
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“Jane Austen, Book Owner”
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Be More Jane by Sophie Andrews - illustrated by me.
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Drawn-Thread Work Blouse
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Jane Austen Today

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JANE AUSTEN/ WEBSITES

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Austen.com | Links to Jane Austen on the Web
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Rewinding Time – Jeff Bigler Jessie Lewis &The Foundling –Rewinding Time – Jeff Bigler Jessie Lewis & Amy D’Orazio Amy D’Orazio
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Shopping where Jane shopped for books!
Country & Victorian Times

Top Five Unique Woodworking Project Ideas to Elevate Your Home
Dances from Pride & Prejudice
Edwardian Promenade

PERIOD DRAMA ALERT: THE PORTER
Emma Adaptations Pages :: Jane Austen's Emma :: strangegirl*com
Family history
Google Afbeeldingen resultaat voor http://i296.photobucket.com/albums/mm186/BeaBug1296/Austen%20Efforts/Miss%20Austen%20Regrets/missausten_627-1.jpg
Google Afbeeldingen resultaat voor http://www.jasa.net.au/images/th/Cassandra_small.jpg
Jane Austen Centre|Festival|magazine|Tearoom|Bath UK England
Jane Austen Fiction Manuscripts: Home
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Jane Austen Life and Works Timeline History
Jane Austen Regency Customs|traditions|tea time|picnic|manners | Tea Time
Jane Austen Society UK : Aims and Activities
Jane Austen | The Republic of Pemberley
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Historic Preservation: Safeguarding Scenes from the Past
Sense & Sensibility Patterns
STEVENTON: Jane Austen's Birthplace
The Jane Austen Society of North America - About Jane Austen
The Morgan Library & Museum - Exhibiitons - A Woman's Wit: Jane Austen's Life and Legacy
The Victorian Web: An Overview
Treasure Hunt » A royal garden party

A Chinese garden at Penrhyn Castle
Victorian Images
Virtual books (accessible version) - Jane Austen's The History of England: Introduction
Welcome to Fairfax House

25 tonen Alle tonen

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Fashion Museum website – Welcome to the Fashion Museum

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COSTUMES PRIDE AND PREJUDICE

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Fashion and shoes

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Edward Austen Leigh wrote down this description of Jane's appearence in the years just after the family left Southampton.

"She was tall and slender; her face was rounded with a clear brunette complexion and bright hazel eyes.

Her curly brown hair escaped all round her forehead, but from the time of her coming to live at Chawton she always wore a cap, except when her nieces had her in London and forbade it."

Henry Austen said of his sister, " Her stature rather exceeded the middle height; her carriage anad deportment were quiet but graceful; her complexion of the finest texture, it might with truth be said that her eloquent blood spoke through her modest cheek." Henry applied these lines to Jane: " Her pure and eloquent blood spake in her cheeks and so distinctly wrought that you had almost said her body thought."

Austen's niece Caroline recollected: "As to my aunt's personal appearance, hers was the first face I can remember thinking pretty. Her face was rather round than long, she had a bright, but not a pink colour—a clear brown complexion, and very good hazel eyes. Her hair, a darkish brown, curled naturally, it was in short curls around her face. She always wore a cap

Drawing of Jane by Cassandra

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Quotation by Jane

Where so many hours have been spent in convincing myself that I am right, is there not some reason to fear I may be wrong?
Jane Austen

Quotations by Jane

I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.

Jane Austen, Pride and Prejudice, 1811

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

Oh! Do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch

I lay it down as a general rule, Harriet, that if a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him. If she can hesitate as to "Yes," she ought to say "No" directly.

Portraits of Jane

There have been only two authentic surviving portraits of Jane Austen, both by her sister Cassandra, one of which is a back view! (A poor-quality greycale JPEG and a poor-quality color JPEG of this are available.) The other is a rather disappointing pen and wash drawing made about 1810 (a somewhat manipulated JPEG of this original sketch is available). The main picture of Jane Austen referenced at this site (JPEG) is a much more æsthetically pleasing adaptation of the same portrait, but should be viewed with caution, since it is not the original (for a more sentimentalized Victorian version of this portrait, see this image, and for an even sillier version of the portrait, in which poor Jane has a rather pained expression and is decked out in cloth-of-gold or something, see this image -- for some strange reason, it is this last picture which has been frequently used to illustrate popular media articles on Jane Austen). Here's the silliest version of this portrait ever.
For a fun modern re-creation of the Jane Austen portrait, see the "Photograph" of Jane Austen lounging at a Hollywood poolside (as seen in Entertainment Weekly). See also a deliberately contemporized (but not silly) version of the portrait by Amy Bellinger. The silhouette included at the top of these files (if you have a graphic browser) is not actually known with certainty to be Jane Austen's. Here is another silhouette said to be of Jane Austen, taken from The Illustrated Letters of Jane Austen edited by Penelope Hughes-Hallett (formerly published as My Dear Cassandra: The Letters Of Jane Austen).
Silhouettes of Jane Austen's father and mother (that of her father apparently taken at a rather earlier age), a silhouette of Cassandra, and Cassandra's portrait of their niece Fanny Knight (JPEG) are also available.
In 1994, another portrait, claimed to be of Jane Austen, has been discovered among Mr. Clarke's papers, and published in a limited edition (this portrait was reportedly printed in the Daily Telegraph book section of Saturday, March 4 1995). Go to this site for more information (and a scanned image) of the portrait.
A picture of the Austen family coat of arms is also available (both the original greyscale and a rudimentary colorization). The heraldic "blazon" (description) is "Or, a chevron gules between three lions' gambs erect, erased sable armed of the second. Crest: on a mural crown or, a stag sejant argent, attired or." (Note that the ornamental winged child's head at the bottom of the heraldic shield is not actually part of the coat of arms.) The Latin motto, "QUI INVIDIT MINOR EST", can be translated as "Who(ever) envies (me) is lesser/smaller (than I)".

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Carolina Wolf: Carolina Wolves, #1
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Jane Austen

Cassandra

Trifle

Original recipe from Jane Austen's sister-in-law Martha Lloyd:
"Take three Naple biscuits. Cut them in slices. Dip them in sack. Lay them on the bottom of your dish. Then make a custard of a pint of cream and five eggs and put over them. Them make a whipt syllabub as light as possible to cover the whole. The higher it is piled, the handsomer it looks."

Cheesecakes
"Our journey yesterday went off exceedingly well; nothing occurred to alarm or delay us... At Devizes we had comfortable rooms and a good dinner, to which we sat down about five; amongst other things we had asparagus and a lobster, which made me wish for you, and some cheesecakes, on which the children made so delightful a supper as to endear the town of Devizes to them for a long time."
—Jane Austen writing to her sister Cassandra, Queen's Square, Friday (May 17) 1799

Quote Jane

“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” ― Jane Austen, Pride and Prejudice

Biografie

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Chawton Cottage

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Writing desk

Chawton Cottage

Chawton House Library: Home to early English women's writing
Chawton Cottage
Jane Austen's relics and the treasures of the East Room. | Goliath Business News

Chawton in winter

Jane’s bedroom

4 Sydney Place, Bath…where she lived too.

Brieven

A Memoir of Jane Austen (Chapter Four)

Dress

(PUBLIC) TRAFFIC

Koetsen, Rijtuigen en Sleden
Transportation in the 19th Century

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