zondag 24 april 2011

Muziek


In de Regency-periode,
 werd muziek vaak in huiselijke kring beleefd.
De muziek uit Jane’s tijd
 kenmerkt zich door
 sensualiteit en onvervuld verlangen,
 maar is elegant en lichtvoetig vormgegeven.

In haar eigen muziekcollectie,
die bewaard is gebleven,
zijn componisten te vinden als
 Arne, Händel, Purcell, Dibdin en Hook
 maar ook eenvoudige volksliederen.

zaterdag 23 april 2011

Happy Easter



Happy Easter

During Jane Austen’s day, the Easter Season (Easter and the 40 days following it, until Ascension Sunday, when Christ’s final ascension into heaven is celebrated) or the Easter Holidays as they are sometimes referred to, were a time of traveling and visiting Family. Every mention of Easter in her letters and novels involves travel, including her most notorious use in Pride and Prejudice when Mr. Darcy arrives at Rosings Park, to visit his aunt, Lady Catherine DuBourgh.

There is not a lot of information about how the Austen’s celebrated the season. What little we do know is drawn from Jane’s letters and what was typical for the period. While it is assured that Jane Austen celebrated Easter, her holiday was probably a quiet one. She would have observed Lent and broken the “Fast” on Easter with a special dinner with her family. She may have dyed eggs and probably ate them in abundance once Lent was concluded. Mrs Austen is known to have had chickens at Chawton Cottage and it is unlikely that they would have allowed the eggs to spoil.


Likewise, Austen mentions Lambs at Steventon, as well as Hams that her mother cured so either might have been eaten at Easter dinner. In her letters, she mentions using the Easter Holidays as a time to travel, and visiting friends along the way to one of her brothers’ houses.


Simnel cake is a light fruit cake, similar to a Christmas cake, covered in marzipan, and eaten at Easter in England and Ireland. A layer of marzipan or almond paste is also baked into the middle of the cake. On the top of the cake, around the edge, are eleven marzipan balls to represent the true apostles of Jesus; Judas is omitted. In some variations Christ is also represented, by a ball placed at the centre.




zaterdag 9 april 2011

Fashions of the Extended Regency Era


 read:   fashion

Transportation during the Regency


There were no
'planes, trains or automobiles'
in Regency days
so the vast majority
 of the populace
 walked to their destinations.

If they could afford a horse, they rode.

zaterdag 2 april 2011

"something between a Man & an Angel"

In October 1815 Jane Austen (then 39 years old) was staying with her brother Henry in London while they negotiated with John Murray for the publication of Emma. Henry became seriously ill, and Charles , a 28-year-old surgeon and neighbor of Henry’s, was called in. Austen wrote to Cassandra (mistakenly identifying Haden as an apothecary): “Mr H. is the apothecary from the corner of Sloane St—successor to Mr Smith, a young Man said to be clever, & he is certainly very attentive & appears hitherto to have understood the complaint” (17 October 1815).
The Austens’ friendship with Haden grew over the next few months. In mid-November Fanny Knight came to stay with her aunt and uncle. Deirdre Le Faye, in Jane Austen: A Family Record, says that Fanny hired a harp and engaged a music master to instruct her. In the evenings Henry’s friends often visited. On November 24 Austen wrote to Cassandra, “Tomorrow Mr Haden is to dine with us.—There’s Happiness!—We really grow so fond of Mr Haden that I do not know what to expect.—He, & Mr Tilson & Mr Philips made up our circle of Wits last night; Fanny played, & he sat & listened & suggested improvements.”
Later, in the same letter, Austen expressed disappointment on learning that two ladies had invited themselves to tea on the following day: “here is an end of our extreme felicity in our Dinner-Guest.—I am heartily sorry they are coming! It will be an Evening spoilt to Fanny & me.”
The evening, however, turned out better than anticipated.  “So much for the morning; then came the dinner & Mr Haden who brought good Manners & clever conversation;—from 7 to 8 the Harp;—at 8 Mrs L. & Miss E. arrived—& for the rest of the Evening the Drawing-room was thus arranged, on the Sopha-side the two Ladies Henry & myself making the best of it, on the opposite side Fanny & Mr Haden in two chairs (I beleive at least they had two chairs) talking together uninterruptedly.—Fancy the scene! And what is to be fancied next?—Why that Mr H. dines here again tomorrow. . . . Henry calls himself stronger every day & Mr H. keeps on approving his Pulse—which seems generally better than ever—but still they will not let him be well. . . . Perhaps when Fanny is gone, he will be allowed to recover faster” (26 November 1815).
Charles Haden became a close enough friend that he was admitted to the secret of Jane Austen’s authorship. She told Cassandra,
“Mr H is reading Mansfield Park for the first time & prefers it to P&P” (26 November 1815). Perhaps Fanny Price was the inspiration for this playful remark reported by Austen in another letter: “I have been listening to dreadful Insanity.—It is Mr Haden’s firm beleif that a person not musical is fit for every sort of Wickedness” (24 November 1815).
When Henry was fully recovered, Austen wrote to Cassandra, correcting her mistake about Haden’s profession with an affectionate description:  “To make [Henry’s] return a complete Gala, Mr Haden was secured for dinner.—I need not say that our Evening was agreable.—But you seem to be under a mistake as to Mr H.—You call him an Apothecary; he is no Apothecary, he has never been an Apothecary, there is not an Apothecary in this Neighborhood—the only inconvenience of the situation perhaps, but so it is—we have not a medical Man within reach—he is a Haden, nothing but a Haden, a sort of wonderful nondescript Creature on two Legs, something between a Man & an Angel—but without the least spice of an Apothecary.—He is perhaps the only Person not an Apothecary hereabouts. He has never sung to us. He will not sing without a P. Forte accompaniment” (2 December 1815).
Fanny’s diary records another “delightful musical evening with Mr Haden” on December 4, after which Fanny returned to Godmersham.
As Austen prepared to leave London later that month, she sent Haden a note along with some books she had borrowed:  “Dear Sir, We return these volumes with many Thanks. They have afforded us great amusement.—As we were out ourselves yesterday Evening we were glad to find you had not called—but shall depend upon your giving us some part of this Evening. I leave Town early on Saturday, & must say “Good bye” to you.—Your obliged & faithful J. Austen” (14 December 1815).

 On December 16, Austen’s fortieth birthday, she left London for the last time.

A Footnote about Charles Thomas Haden.
Charles Thomas Haden had a brief but distinguished medical career. He graduated as a surgeon from the University of Edinburgh and continued his studies in Paris with Laennec, inventor of the stethoscope. Among his accomplishments, Haden is credited with introducing the stethoscope to England and discovering that gout can be treated successfully with Colchicum autumnale, commonly known as autumn crocus, a treatment still used today. Haden’s progressive, prevention-oriented medical views advocated fresh air, exercise, and moderation of food and drink, rather than medicines, to cure skin disorders. He also wrote in support of female education: “If young women were educated more with a reference to health, and less to personal accomplishments and delicacy of appearance, the number of inefficient mothers would be reduced.” A collection of his writings was published in London in 1827 by Dr. Alcock, Practical Observations on the Management and Diseases of Children.

Haden married Emma Harrison, who was a singer and the daughter of a celebrated vocalist. Their son, Francis Seymour, born in 1818, became a well-known surgeon and distinguished artist. Haden died in 1824, his life cut short by lung disease.

By Elizabeth Philosophos Cooper
http://www.jasna.org/

1 april 1816.

April 1st:

MY DEAR SIR, — I am honoured by the Prince’s thanks and very much obliged to yourself for the kind manner in which you mention the work. I have also to acknowledge a former letter forwarded to me from Hans Place. I assure you I felt very grateful for the friendly tenor of it, and hope my silence will have been considered, as it was truly meant, to proceed only from an unwillingness to tax your time with idle thanks. Under every interesting circumstance which your own talents and literary labours have placed you in, or the favour of the Regent bestowed, you have my best wishes. Your recent appointments I hope are a step to something still better. In my opinion, the service of a court can hardly be too well paid, for immense must be the sacrifice of time and feeling required by it.

You are very kind in your hints as to the sort of composition which might recommend me at present, and I am fully sensible that an historical romance, founded on the House of Saxe-Cobourg, might be much more to the purpose of profit or popularity than such pictures of domestic life in country villages as I deal in. But I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or at other people, I am sure I should be hung before I had finished the first chapter. No, I must keep to my own style and go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.

I remain, my dear Sir,

Your very much obliged, and sincere friend,

J. AUSTEN.

While visiting Carlton House, she was escorted by Rev. James Stanier Clarke, the Prince’s librarian,










Who was so struck by her that he painted her watercolor image from memory and kept up a correspondence afterwards. Eventually, Rev. Clarke had the audacity to suggest how Jane might proceed in her next novel. In March 1816, he wrote: “Perhaps when you again appear in print … chuse to dedicate your Volumes to Prince Leopold: any Historical Romance illustrative of the History of the august house of Cobourg, would just now be very interesting.”



zondag 20 februari 2011

Nancy Mayor Regency Researcher

Nancy Mayor Regency Researcher
She writes:
Welcome to my web page where I hope you will find helpful information that is also interesting. Please return from time to time to see what we have added. I have been collecting information on the Regency period for many years so it will take some time to get it all on line.

www.susannaives.com/

donderdag 17 februari 2011

www.pemberley.com/

A Guide to the Real and Imagined Places in Jane Austen's Novels

Pride & Prejudice Gazetteer
Sense & Sensibility Gazetteer
Emma Gazetteer
Mansfield Park Gazetteer
Persuasion Gazetteer
Northanger Abbey Gazetteer



Chawton House Library

http://www.chawtonhouse.org/

Chawton House Library is a UK registered charity with a unique collection of books focusing on women's writing in English from 1600 to 1830.


This specialist collection, set in the home and working estate of Jane Austen's brother, provides the opportunity to study and savour the texts in their original setting and inspires passion in readers of all ages.

Mission
The Library's mission is to promote study and research in early English women's writing;to protect and preserve Chawton House, an English manor house dating from the Elizabethan period; and to maintain a rural English working manor farm of the late eighteenth and early nineteenth centuries, for the benefit of everyone.

dinsdag 15 februari 2011

Women Writers and Other Influences



One has to remind some people that Jane Austen was not a Victorian, not in any sense. Both Queen Victoria and her milieu were born and cultivated after Jane Austen's death. Remember that Jane Austen was a contemporary of Casanova, the Marquis de Sade, Mary Wollstonecraft, Lady Hamilton, the Duchess of Devonshire, etc.
The correct name for the intellectual period that Jane Austen lived in is the "Regency Period". The reference is to the royal control ("regency") assumed by the Prince of Wales, the future George the IV, when his father, George III, became incapacitated. Strictly speaking, Jane Austen's novels were published in the regency; however, Jane Austen's character was formed - and three of her novels were first drafted - in what might be called the Late Georgian period. I will not be so precise in our discussions. Incidentally, another good site for the study of this period is that maintained by Jack Lynch.

My impression is that most English novelists in Jane Austen's day (1775-1817) were women. (See Cathy Decker's excellent survey of women writers of that time.) There were Ann Radcliffe (1764-1823), Fanny Burney (1752-1840), Elizabeth Inchbald (1753-1821), Maria Edgeworth (1767-1849), and Mary Wollstonecraft (1759-1797) to name just a few women authors. These women were slightly older and first published slightly before Jane Austen. Jane Austen admired Burney and Edgeworth and had the opposite feelings about Radcliffe


Ann Radcliffe (1764-1823)


Fanny Burney   (1752 - 1840)


Mary Wollstonecraft (1759-1797)


Elizabeth Inchbald (1753-1821)


Maria Edgeworth (1767-1849)

If you insist that Jane Austen's influences must have been women, then those are the usual suspects, but the one I think everyone misses - the one that I think may have been the most important is Madame de La Fayette (1634-1693)


Madame de La Fayette (1634-1693)
There was a slightly younger woman author, Mary Wollstonecraft's more-famous daughter (1797-1851).



Mary Wollstonecraft Shelley

Our Lady could not have known of Shelley, whose first major work, Frankenstein (1818), appeared the year after Jane's death. (Well, Jane Austen might have heard the gossip.) You can find my comments on Mary Shelley's novels, Frankenstein, Matilda, and The Last Man on the first page of this posting. I am generally very positive about Mary Shelley; her Frankenstein and The Last Man are important visions even if two centuries premature.
I have seen one estimate that more than two hundred women published novels before Jane Austen. In fact, Jane Austen was not even the first woman in her own family to publish a novel. One of the more important literary critics of the day was a woman; that was Madame Anne Louisa Germaine de Staël (1766-1817.


Madame Anne Louisa Germaine de Staël (1766-1817 who was a novelist at times but was at her best when writing about political philosophy or in the sphere of literary criticism. (She resides in infamy at this web site because of something she should not have said about Jane Austen.)

Given the wide acceptance of women writers and novelists, the question arises as to why Jane Austen published anonymously. First of all, notice that while Jane Austen did not affix her name to her novels, she did nothing to hide her sex. I mean, her first publication, Sense and Sensibility, was signed, "By a Lady." I don't know the answer to the question, I have seen several speculations. The one I favor is that our Lady did not want the public to think that an Austen woman had to publish novels in order to earn a living. Jane Austen did not want us to imagine that her brothers were not supporting her as, indeed, they were. (However, she was as pleased as punch to rake in those proceeds.)

zaterdag 8 januari 2011

Letters and mail


During Jane Austen’s time, letters were written on sheet of paper that were folded and sealed. The recipient of the letter had to pay for the delivery. Therefore, the fewer pages that were used, the less expensive the cost, since the fee was based on the size of a letter and the distance it traveled.
Envelopes were not used. They would have added an additional sheet of paper and cost more for the recipient. To keep the letter affordable, people also wrote in a cross letter style as shown.
Hand made papers were made in molds, hence one could readily observe the paper marks and ribbing from the parallel wires in the mold. Often these “laid” papers also bore distinctive watermarks.
Writing implements included the quill pen, an inkstand filled with ink, pen knife, and sometimes a writing box.
Roller blotters made their appearance during the 19th century. Before this time, writers dried wet ink by sprinkling grains of sand over the words.

Creating quill pens was an art, since the nib had to be carefully cut with a knife so that the hollow core would hold just the right amount of ink and release it steadily under pressure. If the writer wrote for any length of time, fingers on the writing hand would often become ink stained.


Quill pens, most commonly obtained from the wing feathers of a goose, had to be sharpened often with a pen knife. The average quill pen lasted for only a week before it was discarded.

After folding the paper, a sender would seal the letter with a custom wax seal stamp, that in some instances bore the family crest or the sender’s initials. The address on the outside remained simple, directing the bearer of the letter to the city or town, street, and the name of the receiver.
 

Read more about mail